For many of the voices featured in our upcoming exhibition The Only Material, the answer was once clear: to report on the environment, science, justice, or gender equality. But in the face of war, these original motivations transformed. This exhibition invites you into the personal journeys of Ukrainian journalists who never set out to cover war, yet found themselves documenting history as it unfolded.
Organised by the European Centre for Press and Media Freedom, as part of the Voices of Ukraine support programme, and hosted by the Museum for Communication, Berlin The Only Material explores how journalists adapt, resist, and endure under the pressure of war. Through testimonies and photography, the exhibition offers a rare glimpse behind the headlines—into the resilience, quiet defiance, and hope that shape their work without losing sight of truth and dignity.
Location: Museum for Communication, Leipziger Str. 16, 10117 Berlin
Opening Event: 26 June 2025
Exhibition Runs: 27 June – 20 July 2025
We are delighted to welcome you to the opening of The Only Material. Hear directly from the journalists featured in the exhibition and meet the people behind the project, as we come together to reflect on the role of storytelling in times of war.
Please note that capacity for the opening is limited to 250 guests, and registration is required.
If you can’t attend the opening, the exhibition remains open to the public from 27 June 2025 to 20 July 2025 at Museum for Communication, Berlin. Come by and spend time with these powerful stories.
Berlin, 26 June 2025 — The Only Material, an exhibition exploring the work and personal journeys of Ukrainian journalists during the ongoing full-scale war launched by Russia against Ukraine, opened at the Museum for Communication in Berlin. Organised by the European Centre for Press and Media Freedom (ECPMF) through its Voices of Ukraine programme — part of the Hannah Arendt Initiative and supported by the German Federal Foreign Office — the exhibition invites visitors to see beyond the headlines and into the lived experiences of journalists reporting under fire.
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